A canvas reproduction of Kinkaku-ji Temple in Late Winter, a 21st-century Japanese woodblock design by Fu Takenaka.
Canvas details
Printed on textured canvas with fade-resistant latex inks, stretched over a 1.5-inch wooden frame and supplied with built-in hangers, ready to hang.
8 × 12 inches — $110 CAD
12 × 16 inches — $169 CAD
16 × 24 inches — $259 CAD
24 × 36 inches — $299 CAD
This artwork is presented in portrait orientation, with the image filling the canvas edge to edge.
Free shipping throughout Canada and the continental United States. All sales are final; returns are not accepted.
Kyoto’s Golden Pavilion glows against snowy trees and a clear blue sky, its warm reflections breaking across the dark pond. This canvas reproduction of Fu Takenaka’s woodblock design combines bold contours and vivid color for a striking winter view of Kinkaku-ji.
Fu Takenaka (1945–2022) was a Japanese artist who moved from design into woodblock printmaking in 2003. Working in the sōsaku-hanga tradition, she designed, carved and printed her works, often depicting Kyoto temples with bold forms and vivid color.
A canvas reproduction of Kinkaku-ji Temple in Late Winter, a 21st-century Japanese woodblock design by Fu Takenaka.
Canvas details
Printed on textured canvas with fade-resistant latex inks, stretched over a 1.5-inch wooden frame and supplied with built-in hangers, ready to hang.
8 × 12 inches — $110 CAD
12 × 16 inches — $169 CAD
16 × 24 inches — $259 CAD
24 × 36 inches — $299 CAD
This artwork is presented in portrait orientation, with the image filling the canvas edge to edge.
Free shipping throughout Canada and the continental United States. All sales are final; returns are not accepted.
Kyoto’s Golden Pavilion glows against snowy trees and a clear blue sky, its warm reflections breaking across the dark pond. This canvas reproduction of Fu Takenaka’s woodblock design combines bold contours and vivid color for a striking winter view of Kinkaku-ji.
Fu Takenaka (1945–2022) was a Japanese artist who moved from design into woodblock printmaking in 2003. Working in the sōsaku-hanga tradition, she designed, carved and printed her works, often depicting Kyoto temples with bold forms and vivid color.