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Fireflies at Ochanomizu — Kobayashi Kiyochika (c. 1880)

Fireflies at Ochanomizu by Kobayashi Kiyochika, with glowing fireflies, dark riverbanks and a lantern-lit boat on blue water at night.

Fireflies at Ochanomizu — Kobayashi Kiyochika (c. 1880)

Kinkaku-ji Temple in Late Winter — Fu Takenaka

Kinkaku-ji Temple in Late Winter by Fu Takenaka, with the golden pavilion, snow-covered trees and blue-and-gold reflections in a pond.

Kinkaku-ji Temple in Late Winter — Fu Takenaka

Tokyo Inokashira — Noël Nouët (1950)

Tokyo Inokashira by Noel Nouet, showing a temple with a green roof, red autumn foliage, visitors and reflections in a pond.

Tokyo Inokashira — Noël Nouët (1950)

Night at Funabori — Shōtei Takahashi

Night at Funabori by Takahashi Shotei, with white herons, a riverboat, a wooden footbridge and glowing lanterns at night.

Night at Funabori — Shōtei Takahashi

Anraku Hot Springs, Ōsumi — Kawase Hasui (1923)

Anraku Hot Springs, Ōsumi by Kawase Hasui: Traditional wooden buildings and flowering trees stand beside a blue rocky stream below green mountains.

Anraku Hot Springs, Ōsumi — Kawase Hasui (1923)

Karasu Marsh, Akita — Kawase Hasui (1927)

Karasu Marsh, Akita by Kawase Hasui: Dark pine branches frame a calm blue lake, a tall pine on a warm-coloured cliff and billowing clouds.

Karasu Marsh, Akita — Kawase Hasui (1927)

Autumn at Oirase — Kawase Hasui (1933)

Autumn at Oirase by Kawase Hasui: Orange and yellow autumn leaves surround pale tree trunks beside a turquoise stream and dark rocks.

Autumn at Oirase — Kawase Hasui (1933)

Hōrai Rock, Kiso River — Kawase Hasui (1928)

Hōrai Rock, Kiso River by Kawase Hasui: Pale cliffs rise above turquoise water and a small white-sailed boat beneath a blue sky with pink clouds.

Hōrai Rock, Kiso River — Kawase Hasui (1928)

Sarusawa Pond — Hiroshi Yoshida (1933)

Sarusawa Pond by Hiroshi Yoshida: Willow branches frame blue Sarusawa Pond, a pagoda, spring blossoms and small figures in Hiroshi Yoshida’s Nara landscape.

Sarusawa Pond — Hiroshi Yoshida (1933)

Yumoto Spa, Nikkō — Kawase Hasui (1937)

Yumoto Spa, Nikkō by Kawase Hasui: Warmly lit inns and golden reflections glow against still blue water, layered mountain silhouettes and a dark arching branch.

Yumoto Spa, Nikkō — Kawase Hasui (1937)

Drizzling Rain at Ukimido — Takeji Asano (1952)

Drizzling Rain at Ukimido by Takeji Asano: A woman with a blue umbrella walks beside Ukimido’s floating hall in fine rain, beneath green branches, by Takeji Asano.

Drizzling Rain at Ukimido — Takeji Asano (1952)

Bamboo Grove of Saga — Takeji Asano (1952)

Bamboo Grove of Saga by Takeji Asano: A worker follows a winding path through tall blue and green bamboo, with orange flowers in the foreground, by Takeji Asano.

Bamboo Grove of Saga — Takeji Asano (1952)

House at Okutama — Shirō Kasamatsu (1955)

House at Okutama by Shirō Kasamatsu: A wooden house with glowing yellow windows, figures and autumn trees stands above a narrow stream in Kasamatsu’s Okutama scene.

House at Okutama — Shirō Kasamatsu (1955)

Iris Garden at Meiji Shrine — Kawase Hasui (1951)

Iris Garden at Meiji Shrine by Kawase Hasui: White and violet irises fill a garden at Meiji Shrine, with visitors, green trees and a pavilion beneath a blue sky.

Iris Garden at Meiji Shrine — Kawase Hasui (1951)

San Francisco — Toshi Yoshida (1985)

San Francisco by Toshi Yoshida: Tall leafy trees frame San Francisco houses with red and green roofs beneath a pink sky in Toshi Yoshida’s design.

San Francisco — Toshi Yoshida (1985)

Winter in Arashi Gorge — Kawase Hasui (1921)

Winter in Arashi Gorge by Kawase Hasui: Rust-red pine trunks and dense green boughs frame turquoise river water, flat grey rocks and a small covered passenger boat.

Winter in Arashi Gorge — Kawase Hasui (1921)

Shimada on the Tōkaidō Road — Kawase Hasui (1942)

Shimada on the Tōkaidō Road by Kawase Hasui: Tall, irregular pines rise above wooden village roofs and green fields beneath a muted peach evening sky.

Shimada on the Tōkaidō Road — Kawase Hasui (1942)

Autumn in Funatsu — Kawase Hasui (1953)

Autumn in Funatsu by Kawase Hasui: Mount Fuji above village farmhouses, autumn trees, green fields and a winding path with white chickens.

Autumn in Funatsu — Kawase Hasui (1953)

Lake Towada — Kawase Hasui (c. 1927)

Lake Towada by Kawase Hasui: pine-covered cliffs and blue mountains reflected in vivid blue water, with a small white-sailed boat.

Lake Towada — Kawase Hasui (c. 1927)

Village of Plums — Toshi Yoshida (1951)

Village of Plums by Toshi Yoshida: flowering plum trees among warm village rooftops beneath blue mountains and a golden sky.

Village of Plums — Toshi Yoshida (1951)

Senjomaku Cliff at Lake Towada — Kawase Hasui (1919)

Senjomaku Cliff at Lake Towada by Kawase Hasui: a small white-sailed boat on blue water beneath green woodland, a dark cliff and bright white clouds.

Senjomaku Cliff at Lake Towada — Kawase Hasui (1919)

Shirahone Hot Spring, Shinshu — Shirō Kasamatsu (1935)

Misty Evening at Shinobazu Pond — Shirō Kasamatsu (1932)

Snow at Mukojima — Kawase Hasui (1931)

Autumn in Nigatsudo Temple — Takeji Asano (1953)

A Midnight Scene at Atami — Tsuchiya Kōitsu (1939)

Weeping Cherry — Hajime Namiki

Silver Pavilion, Kyoto — Toshi Yoshida (1951)

Village of Oku-Uda — Katsuyuki Nishijima

Autumn Moonshine in Katata — Katsuyuki Nishijima

First Wind — Katsuyuki Nishijima (1986)

Autumn Moon over Katata — Katsuyuki Nishijima (Late 20th century)

Nojiri — Katsuyuki Nishijima (c. 2000)

Clear Storm at Imazu — Katsuyuki Nishijima

Spring Evening at Kintai Bridge — Kawase Hasui (1947)

Benkeibashi Bridge, Akasaka — Shirō Kasamatsu (1953)

Snow at Funabori — Kawase Hasui (1932)

Snow at Funabori by Kawase Hasui: a blue-clad figure rows a small boat beneath falling snow, with a leaning snow-laden pine, a dark waterside building and a yellow light reflected in blue-green water.

Snow at Funabori — Kawase Hasui (1932)

Full Moon over Matsuyama Castle — Kawase Hasui (1953)

Full Moon over Matsuyama Castle by Kawase Hasui: a yellow moon above a dark wooden gate and tall stone walls, with pink cherry blossoms, two small figures and a blue evening sky.

Full Moon over Matsuyama Castle — Kawase Hasui (1953)

Hall of Golden Hue, Hiraizumi — Kawase Hasui (1957)

Hall of Golden Hue, Hiraizumi by Kawase Hasui: a lone traveler in a broad hat climbs snow-covered stone steps toward a wooden protective hall among tall trees and falling snow against a blue sky.

Hall of Golden Hue, Hiraizumi — Kawase Hasui (1957)

Moonlight at Yasaka Pagoda — Takeji Asano (1951)

Moonlight at Yasaka Pagoda by Takeji Asano: five-storey pagoda with pale roofs in a deep blue starry sky, dark pines, distant city lights and foreground houses with glowing yellow-green windows.

Moonlight at Yasaka Pagoda — Takeji Asano (1951)

Early Summer in Sanzen-in — Takeji Asano

Early Summer in Sanzen-in by Takeji Asano: a brown temple hall behind two tall tree trunks, luminous green foliage, rounded shrubs, mossy ground and a stone-edged pond.

Early Summer in Sanzen-in — Takeji Asano

Spring in Kurama Temple (Alternate Image) — Takeji Asano (1952)

Spring in Kurama Temple by Asano Takeji, alternate image: red temple gate framed by pink cherry blossoms and green trees, blue mountain, broad stone steps, and a figure in yellow carrying a red paraso

Spring in Kurama Temple (Alternate Image) — Takeji Asano (1952)

Mount Fuji and Lake Kawaguchi — Okada Kōichi (1954)

Mount Fuji and Lake Kawaguchi by Okada Kōichi: pink and white cherry blossoms frame a snow-covered mountain beneath a blue sky, with a lakeside settlement and broad turquoise, green, cream and gold re

Mount Fuji and Lake Kawaguchi — Okada Kōichi (1954)

Cherry Blossoms — Toshi Yoshida (1970)

Cherry Blossoms by Toshi Yoshida: a massive textured cherry tree at right spreads pink blossoms and small grey birds across a golden yellow background.

Cherry Blossoms — Toshi Yoshida (1970)

Tree Scene 126 — Hajime Namiki (2007)

Tree Scene 126 by Hajime Namiki: a dense canopy of dark interwoven branches around a vivid blue opening with small pale stars and two yellow accents.

Tree Scene 126 — Hajime Namiki (2007)

Moon on the Arakawa River at Akabane — Kawase Hasui (1929)

Moon on the Arakawa River at Akabane by Kawase Hasui: a full moon among blue-green clouds, a boat with two figures, amber shore lights, a low wooden house and a small figure with a red accent.

Moon on the Arakawa River at Akabane — Kawase Hasui (1929)

Lake Chūzenji at Nikkō — Kawase Hasui (1930)

Lake Chūzenji at Nikkō by Kawase Hasui: red autumn trees beside a curving ochre shore, a white sailboat on bright blue water, a large blue mountain and layered pale clouds.

Lake Chūzenji at Nikkō — Kawase Hasui (1930)

Azuma Gorge — Kawase Hasui (1943)

Azuma Gorge by Kawase Hasui: a vivid blue river and white rapids between tall grey cliffs, surrounded by autumn foliage in red, orange, yellow and green.

Azuma Gorge — Kawase Hasui (1943)

Arakawa River in Snow — Kawase Hasui (c. 1930s)

Arakawa River in Snow by Kawase Hasui: falling white snow against blue river and sky, a covered boat with a snowy roof and two warm windows, orange reflections, small boats and snow-covered foreground

Arakawa River in Snow — Kawase Hasui (c. 1930s)

Maple Leaves at Kiyomizu Temple — Yokouchi Kiyoharu (1936)

Maple Leaves at Kiyomizu Temple by Yokouchi Kiyoharu: Kyoto’s wooden temple hall and elevated platform above yellow, orange and red autumn foliage, a refreshment stall with red benches and two seated

Maple Leaves at Kiyomizu Temple — Yokouchi Kiyoharu (1936)

Rain at Higashi Honganji Temple — Takeji Asano (1953)

Rain at Higashi Honganji Temple by Takeji Asano: a monumental two-storey wooden gate with sweeping dark roofs, diagonal rain, visitors beneath colourful umbrellas, bright yellow-green trees and reflec

Rain at Higashi Honganji Temple — Takeji Asano (1953)

Ushigome Kagurazaka — Tsuchiya Kōitsu (1939)

Ushigome Kagurazaka by Tsuchiya Kōitsu: two figures beneath umbrellas on a blue rain-washed lane, a large orange Doi lantern, glowing windows, wooden buildings, a tall pine and lush green foliage.

Ushigome Kagurazaka — Tsuchiya Kōitsu (1939)

Moon at Enoshima Beach — Ishiwata Kōitsu (Tōkō) (1933)

Moon at Enoshima Beach by Ishiwata Kōitsu (Tōkō): a pale full moon seen through sweeping coastal pine branches, blue-green sea with white surf, a warm yellow horizon, and roots beside a sandy shore.

Moon at Enoshima Beach — Ishiwata Kōitsu (Tōkō) (1933)

Evening at Ushibori — Kawase Hasui (1930)

Evening at Ushibori by Kawase Hasui: a small boat with a curved white sail and figures on blue water, tall slender trees on the far bank, foreground reeds, and orange twilight breaking through layered

Evening at Ushibori — Kawase Hasui (1930)

Evening Cool at Sumida — Eijirō Kobayashi (c. 1900–1920)

Evening Cool at Sumida by Eijirō Kobayashi: a pale moon beside trailing willow branches, a dark riverside building and landing, figures beside a warmly lit covered boat, and smaller boats on blue wate

Evening Cool at Sumida — Eijirō Kobayashi (c. 1900–1920)

Matsushima, Futagojima — Kawase Hasui (1933)

Matsushima, Futagojima by Kawase Hasui: a full moon within clouds, a bright reflection across blue water, two pine-covered rocky islands in the foreground, and a narrow boat with two figures at right.

Matsushima, Futagojima — Kawase Hasui (1933)

Matsushima, Futagojima (Moonlight Detail) — Kawase Hasui (1933)

Square cropped detail from Matsushima, Futagojima by Kawase Hasui: a full moon amid clouds, a pale reflection across blue water, and pine-covered rocky islands in the left and right foreground.

Matsushima, Futagojima (Moonlight Detail) — Kawase Hasui (1933)

Matsushima, Futagojima (Boat Detail) — Kawase Hasui (1933)

Cropped detail from Matsushima, Futagojima by Kawase Hasui: pine trees on a rocky island at left, a narrow boat carrying two figures, blue water and reflections, and a distant shore.

Matsushima, Futagojima (Boat Detail) — Kawase Hasui (1933)

Spring Dusk at the Tōshō Shrine, Ueno — Kawase Hasui (1948)

Spring Dusk at the Tōshō Shrine, Ueno by Kawase Hasui: a tall red five-storey pagoda framed by pink cherry blossoms beneath a pale crescent moon and blue evening sky.

Spring Dusk at the Tōshō Shrine, Ueno — Kawase Hasui (1948)

Spring Rain at Gokoku Temple — Kawase Hasui (1932)

Spring Rain at Gokoku Temple by Kawase Hasui: a vermilion gate, a visitor beneath a blue umbrella, a stone lantern, spreading pine branches, and fine rain reflected on wet ground.

Spring Rain at Gokoku Temple — Kawase Hasui (1932)

Nikkō Road — Kawase Hasui (1930)

Nikkō Road by Kawase Hasui: a winding sunlit path between towering Japanese cedar trees, with exposed roots, green foliage, blue sky, pale clouds, and a small figure carrying a woven basket.

Nikkō Road — Kawase Hasui (1930)

Myōhon Temple, Kamakura — Kawase Hasui (1931)

Myōhon Temple, Kamakura by Kawase Hasui: a view from a shaded wooden veranda toward pink crabapple blossoms, a vermilion temple gate, a decorative lantern, and visitors in the courtyard.

Myōhon Temple, Kamakura — Kawase Hasui (1931)

Spring Night at Inokashira — Kawase Hasui (1931)

Spring Night at Inokashira by Kawase Hasui: a pale full moon above blossoming cherry trees and dark woodland, with a quiet path, benches, and blue reflections in the pond.

Spring Night at Inokashira — Kawase Hasui (1931)

Onshi Park, Shiba — Kawase Hasui (1937)

Onshi Park, Shiba by Kawase Hasui: a spreading pine supported by timber beside a stone-edged blue pond, with fine falling rain and distant trees softened by mist.

Onshi Park, Shiba — Kawase Hasui (1937)

Takino River — Kawase Hasui (1929)

Takino River by Kawase Hasui: a crescent moon above a large leafy tree, two figures on a bridge, warm lit windows, blue river reflections, and green banks.

Takino River — Kawase Hasui (1929)

Takegawa River at Dawn — Itō Takashi (1932)

Takegawa River at Dawn by Itō Takashi: a traveller crosses a narrow wooden bridge above a turquoise stream amid birch and evergreen trees, beneath rose-orange mountain peaks.

Takegawa River at Dawn — Itō Takashi (1932)

Spring Moon at Ninomiya Beach — Kawase Hasui (1932)

Spring Moon at Ninomiya Beach by Kawase Hasui: a full moon above a blue sea, white surf, a solitary figure on the dark beach, and tall coastal pine trees.

Spring Moon at Ninomiya Beach — Kawase Hasui (1932)

Moon at Matsushima — Kawase Hasui (1930s)

Moon at Matsushima by Kawase Hasui: dark pine branches frame a pale moon, a pine-covered rocky island, and a broken path of moonlight across bright blue water.

Moon at Matsushima — Kawase Hasui (1930s)

The Hamlet of Hataori in Shiobara — Kawase Hasui (1946)

The Hamlet of Hataori in Shiobara by Kawase Hasui: heavy diagonal snowfall covers blue village rooftops, with small golden windows glowing among dark walls.

The Hamlet of Hataori in Shiobara — Kawase Hasui (1946)

Saru Crag, Shiobara — Kawase Hasui (1949)

Saru Crag, Shiobara by Kawase Hasui: orange and golden autumn foliage around a towering grey crag, with a wooden walkway, two small travellers, and a pale blue mountain distance.

Saru Crag, Shiobara — Kawase Hasui (1949)

A Lighthouse — Attributed to Gyosui

A Lighthouse, attributed to Gyosui: dark pines frame blue water, small sailboats and a glowing lighthouse with golden reflections.

A Lighthouse — Attributed to Gyosui

Fireflies and Lighted House — After Kobayashi Kiyochika

Fireflies and Lighted House, after Kobayashi Kiyochika: yellow fireflies border a stream beside a glowing window, with two figures on a distant footbridge.

Fireflies and Lighted House — After Kobayashi Kiyochika

Pine Trees at Yudanaka Hot Spring, Shinshu — Shirō Kasamatsu (1950)

Pine Trees at Yudanaka Hot Spring by Shiro Kasamatsu: a full moon shines through spreading pines above stone steps, a small figure and warmly lit buildings.

Pine Trees at Yudanaka Hot Spring, Shinshu — Shirō Kasamatsu (1950)

Ki no Matsushima — Takeji Asano (c. 1940)

Ki no Matsushima by Asano Takeji: a pine tree frames green rocky islands and small boats on blue water, with scattered rocks in the foreground.

Ki no Matsushima — Takeji Asano (c. 1940)

Maiko Beach — Tsuchiya Kōitsu (1936)

Maiko Beach by Tsuchiya Koitsu: a leaning pine frames sailboats on blue-green water beneath a full moon, with a pale reflection stretching toward the foreground.

Maiko Beach — Tsuchiya Kōitsu (1936)

Sangetsu-an, Hakone Museum — Toshi Yoshida (1954)

Sangetsu-an, Hakone Museum by Toshi Yoshida: pale tree trunks frame a stone path and wooden garden gate, with red and gold foliage and a stone lantern.

Sangetsu-an, Hakone Museum — Toshi Yoshida (1954)

Nikko Five-Story Pagoda in Snow — Tsuchiya Kōitsu (1936)

Nikko Five-Story Pagoda in Snow by Tsuchiya Koitsu: a red pagoda with snow-covered roofs rises behind dark trees, with falling snow across a blue sky.

Nikko Five-Story Pagoda in Snow — Tsuchiya Kōitsu (1936)

Moonlit Pine and Pleasure Boat — Shōda Kōhō (Early 20th century)

Moonlit Pine and Pleasure Boat by Shoda Koho: a large pine above an illuminated covered boat, figures on board, a full moon and distant lights across the water.

Moonlit Pine and Pleasure Boat — Shōda Kōhō (Early 20th century)

Full Moon at Magome — Kawase Hasui (1930)

Full Moon at Magome by Kawase Hasui: dark pine branches frame a golden moon crossed by turquoise clouds, above a farmhouse with one lit window and a blue-green field.

Full Moon at Magome — Kawase Hasui (1930)

Pine Beach — Arai Yoshimune

Pine Beach by Arai Yoshimune: a large foreground pine frames the moon, its golden reflection and a single sailboat beside a sloping shore.

Pine Beach — Arai Yoshimune

Rain at Ōmiya — Kawase Hasui (1930)

Rain at Ōmiya by Kawase Hasui: tall trees in night rain, two glowing windows reflected in a pond, and reeds in the foreground.

Rain at Ōmiya — Kawase Hasui (1930)

Suma Beach at Night — Arai Yoshimune

Suma Beach at Night by Arai Yoshimune: a full moon above blue water, coastal pines and a lone figure on the shore.

Suma Beach at Night — Arai Yoshimune

Full Moon — Yajūrō Takashima (1963)

Full Moon — Yajūrō Takashima (1963)

Morning Rain at Hakone — Tsuchiya Kōitsu (1938)

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Morning Rain at Hakone — Tsuchiya Kōitsu (1938)

Geisha and Cherry Tree, Ueno Park — Tsuchiya Kōitsu (1939)

Geisha and Cherry Tree, Ueno Park — Tsuchiya Kōitsu (1939)

The Pond at Benten Shrine in Shiba — Kawase Hasui (1929)

The Pond at Benten Shrine in Shiba — Kawase Hasui (1929)

Matsushima — Tsuchiya Kōitsu (1936)

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Matsushima — Tsuchiya Kōitsu (1936)

Moonlit Sea — Shōda Kōhō (1912)

Moonlit Sea — Shōda Kōhō (1912)

Moonrise at Tokumochi — Shōtei Takahashi (1922)

Moonrise at Tokumochi — Shōtei Takahashi (1922)

Kofukuji Temple in Nara — Tsuchiya Kōitsu (1937)

Kofukuji Temple in Nara — Tsuchiya Kōitsu (1937)

Benkei Bridge — Tsuchiya Kōitsu (1933)

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Benkei Bridge — Tsuchiya Kōitsu (1933)

Konjikidō Shrine — Shirō Kasamatsu (1954)

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Konjikidō Shrine — Shirō Kasamatsu (1954)

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